Film Treatment

-
Production team name:

Movie title: Don’t, Don’t go

Format: Movie

Genre: Horror

Sub-genre: Supernatural

Tense:

Indented audience: teenagers and young adults

Synopsis: The protagonist is a young girl who starts to question why so many deaths are happening in her neighbourhood and why no one does anything. The myth of a girl who lost her family because of an incident, and because of this she is immortal and haunts or kills anyone who enters her family house.
Characters
Protagonist: teenage girl who’s curious for the many deaths that happen in her neighbourhood which no one talks about. She’s really curious and wanders why people are afraid to talk about it. She out of the three of the girls is the most serious, the leader of the group.

Protagonist friend number 1: teenage girl blonde haired who is friends with the protagonist, easily scared. She gets persuaded easily to join the investigation.

Protagonist friends number 2: teenage girl dark hair more tomboyish not so easily scared. She joins the investigation because she thinks that it’s going to exciting and adventurous. 
  
Antagonist: 12 year old girl who is immortal because of an incident which occurred that killed her entire family. She either possesses the bodies of the people that enter her family house or kills them or she leaves them going mad.

Dialogue:

Style:

Length: trailer for the films

Locations: Old fashioned house.


Comments

Post a Comment

Popular posts from this blog

How does narrative theory apply to the trailer analysed

-
How does narrative theory apply to the trailer analysed? The trailer I will be analysing  is BEDEVILED by Terror House. The theme for this Trailer I believe is possession because of the way in which the girl is acting in the trailer. Todorov's theory was the idea of Equilibrium, Disequilibrium and resolution. In terror house's trailer they use disequilibrium for the montage scenes which a typical for horror trailers to include this allows the audience to get the action part of the film which will interest them. The trailer was set in a non linear way which is shown in the montage of the film.  Comparing terror house's trailer to my summer one I believe I didn't used Todorov's theory correctly, our montage where scenes which were not filled with action they didn't intrigue the target audience. In Terror house they used Levi-Strauss theory in a different way; there isn't a defiant villain/hero or good and bad but in fact the protagonist herself is the ...
Read more

Media Language

-
Repetition of these signs become Horror genre conventions, however overuse results in taking away the signified meaning In trailers there is always the repetition of conventions because they are conventional, however a discounting factor is that they become boring and this leaves a negative impact on Horror financially and also leaves it with a smaller target audience. Barthes theory is denotation and connotation which are used constantly in the Horror genre; the meaning of denotation is the literal obvious meaning an example of this is a child is possessed however with the connotation which is the suggested meaning/ deeper meaning of the denotation in this example would be that the possessed child subverts the stereotype of children representing innocence, vulnerability and purity. Because now we see the child juxtaposing all the stereotypes: this is the connotation. Although this may be the case if films repeatedly use this convention it loses the meaning of the connotation be...
Read more

Represenation

-
Representation  Laura Mulvey’s theory is that because the most frequent cinema goers are male “The Male Gaze” has now become a norm which can now by certain people (Feminist) be seen as immoral. The theory is that women’s bodies are displayed on screen in films which the male viewer find pleasure from. However even though this gains pleasure from the male viewer it also forces the rest of the audience to see this male gaze through a heterosexual male view. Our trailer included this theory in the shot when one of the protagonists is running in the field, the camera had a full shot which had a complete shot of the female protagonist. In Cabin in the woods there is a scene where the camera follows the “dumb blonde” stock character when she starts to dance and in addition to this the way in which she is dressed is quite provocative forcing the audience to see her in the heterosexual male gaze.   Clover’s theory is that the final girl who is a stock character which is the ...
Read more